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#53The world's most famous paintings

Virgin of Vladimir

Tempera on panel · 104 × 69 cm

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Where to see it

Tretyakov Gallery, Moscow

About the painting

The Virgin of Vladimir, also known as Vladimir Mother of God, Our Lady of Vladimir (Russian: Владимирская икона Божией Матери), is a 12th-century Byzantine icon depicting the Virgin and Child and an early example of the Eleusa iconographic type. It is one of the most culturally significant and celebrated pieces of art in Russian history. Many consider it a national palladium with several miracles of historical importance to Russia being attributed to the icon. Following its near destruction in the thirteenth century, the work has been restored at least five times.

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The icon was painted by an unknown artist most likely in Constantinople. It was sent to Kiev as a gift before being transferred to the Assumption Cathedral in Vladimir. It is traditionally said that the icon did not leave Vladimir until 1395, when it was brought to Moscow to protect the city from an invasion by Timur, although the historical accuracy of this claim is uncertain. By at least the sixteenth century, it was in the Dormition Cathedral in Moscow where it remained until it was moved to the State Tretyakov Gallery after the Russian Revolution.

It was subject to an ownership dispute in the 1990s between the gallery and Moscow Patriarchate, which ended with its relocation to the Church of St. Nicholas in Tolmachi. An arrangement was made to operate the church with dual status as a house church and part of the museum. The icon was only accessible via an underground passage from the gallery to the church, where liturgies are still held.

On 3 April 2026, the Vladimir icon was transferred to the Cathedral of Christ the Saviour in Moscow; the Russian Orthodox Church has free use of the icon for forty-nine years.

Source: Wikipedia · CC BY-SA 4.0

Style, subject and colours

Similar works

Image: Unknown artist; Wikimedia Commons · public domain

Virgin of Vladimir - Unknown artist

Appearance

Ink & goldKemet blue, paper and gold - Nazrin's world Dark hallA museum at night: dark walls, light on the painting White cubeA bright gallery: white walls, black text and a garnet accent