The Sirens and Ulysses

While traditionally the sirens had been depicted as human–animal chimeras, Etty portrayed them as naked young women, on an island strewn with corpses in varying states of decay. The painting divided opinion at the time of its first exhibition, with some critics greatly admiring it while others derided it as tasteless and unpleasant. Possibly owing to its unusually large size, 442.5 by 297 cm (14 ft 6.2 in by 9 ft 8.9 in), the work initially failed to sell, and was bought later that year at a bargain price by the Manchester merchant Daniel Grant. Grant died shortly afterwards, and his brother donated The Sirens and Ulysses to the Royal Manchester Institution.

The Sirens and Ulysses was painted using an experimental technique, which caused it to begin to deteriorate as soon as it was complete. It was shown in a major London exhibition of Etty's work in 1849 and at the 1857 Art Treasures Exhibition in Manchester, but was then considered in too poor a condition for continued public display and was placed in the gallery's archives. Restoration began on the work in 2003, and in 2010 the painting went on display in the Manchester Art Gallery, over 150 years after being consigned to storage.